BLAZING TUMBLEWEED
BOSQUE DEL APACHE NWR, NEW MEXICO
Nikon F4s, Nikkor 500mm Lens, 1.4x Teleconverter
Bogen Tripod, Kodak E100VS Film
I shot this image while on a recent trip to Bosque Del Apache National
Wildlife Refuge in New Mexico. It was late afternoon on my first day,
and I was driving along the Farm Loop to get a general feel for the
area. I made frequent stops throughout to photograph the large concentrations
of birds that make Bosque famous. In this particular instance though,
it was not the birds that captured my attention. Instead it was something
so seemingly mundane that most people would have passed by without giving
it even the slightest of glances.
The fact that most people would have passed it by is exactly why
I selected it as a "Photo of the Month". Bosque is a beautiful representation
of why freshwater marshes are so important to a healthy ecosystem,
but the fact still remains that the marshes sit in the middle of a
dry scrubby desert. Strange…but true. Personally I enjoy recording
visual elements of the desert's landscape. Despite its stark appearance,
the desert can be rich in photographic potential if one simply opens
their mind to the possibilities.
In this case it was a common tumbleweed that beckoned my eye to explore
further. But a tumbleweed on its own, does not a great photograph
make. I mean, lets face it, tumbleweeds are a dime a dozen in the
desert. Throw some sort of exceptional element into the mix though
- well then you have the recipe for a great photograph. That element
in this instance was light, or more specifically, the direction of
light.
The tumbleweed sat alone in the middle of a stark field, and though
I did see the beauty in its simplicity, it was ultimately the strong
backlight illuminating the scene that persuaded me to trip the shutter.
Tumbleweeds are merely the delicate skeletal frames of long-ago deceased
scrub bushes. Those delicate frames are precisely what make them such
perfect subjects for a backlit situation.
Backlighting occurs when the sun is positioned in front of your camera,
thereby illuminating your subject from behind. This type of lighting
works best with translucent subjects or subjects that possess similar
qualities, such as the fine branches of a tumbleweed. These fine branches
allow the light to pass directly through them wrapping the main skeletal
body in a glowing halo. When I saw the backlit tumbleweed sitting
alone in the dark, barren field, I couldn't help but be entranced
by it. I knew immediately its potential and quickly seized the moment
before the light had a chance to change.
So the next time you are out photographing an area with specific
subjects in mind, don't forget to keep your mind free and your eyes
open to all the possibilities surrounding you - even those that initially
may seem commonplace.
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